Get all 42 Vordb Na R.iidr releases available on Bandcamp and save 70%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Verwüstete Landschaften, Kaleidarkness, The First Decade (2013-2023), Bor.e, Ézlèyfbdrèhtr Vèpréub Zuèrkl Mazagvatre Èrbsèdréa, Vèrmyaprèb, Nèvgzèrya, Xèr.n O-r.iidr, Ambre Zuèrkl Vuorhdrévarvtre, and 34 more.
Excludes subscriber-only releases.
Vordb Na R.iidr France
Vordb Na R.iidr, describing his multiform chaotic Art as “the Vordb Entity”, has been active for now three decades in various fields such as sound (with numerous audio Projects, the most well known being those he started before and during the years of the late Black Legions Circle he co-founded) and graphic design… ... more
Vordb Na R.iidr recommends:
Tempus Abire Tibi Est (EP)
by Noctu
I discovered this artist recently. Really dark and deep doom! Check his works, which often contain real gems!
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Unrivaled goddess of death metal (Nuclear Death), outstanding graphic artists and composer, multifaceted artist and dark arts veteran, she deserves TOTAL support!
go to albumIf you like Vordb Na R.iidr, you may also like:
supported by 13 fans who also own “Twilight of the Black Holocaust (restored version)”
While previous albums were recorded in a haunted dungeon in a land where sunlight is a myth, this album sounds a bit brighter and more inviting. Take that as you will.
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Youth in Ribbons
by Revenant Marquis
supported by 12 fans who also own “Twilight of the Black Holocaust (restored version)”
Revenant Marquis continues with the subterranean vocals on this album. Percussion sound on all tracks has a very large sound, especially the bass drum. Guitar is generally very clean. The more I listen, the more I get Xasthur vibes, but with a more rock and roll influence. Still very depressive and chaotic. A cool album!
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New on can’t-miss label Not Not Fun is this eerie, ethereal synth record from Yayoba.
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Your Day Will Come
by Chanel Beads
Straddling the threshold between studio performance and digital technique; the NYC artist applies "fake jazz" principles to synthpop.
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